Genres: experimental

  • Ayesha

    An imaginary biography of my mother who, in her youth, dreamed of being a Bollywood dancer. In a lush fantasy through the heart of India, I reclaim her destiny and desires lost in another age.

  • Kaleidoscope

    Kaleidoscope explores depression in an otherwise vibrant life. It is an original film poem edited to 16mm hand-processed B&W film that has been manipulated through tinting, toning and other cameraless techniques to reflect the fluctuations of living with a mood disorder. Footage collected during the Film for Artists and Film Farm residencies in 2016.

  • Film of Their 1973 Spring Tour

    A document of what happened when a group of radical “Jesus freaks” from Berkeley met conservative Christians in seminaries and colleges across the U.S. “He manages to set off a uniquely hypnotic experience. The viewer discovers the possibility of looking at the film like a ‘winkie’ toy, seeing first one view then flashing to another. Because all footage is sound sync, this screening process hones our responses, until we see more in Land’s three-frame sequences than we would in hour-long doses of ‘normal’ time. Like the study of signs, this study of seconds yields a knowledge of people and truth…

  • Golden Boat

    Inside a derelict warehouse in the middle of a salt pan, people from around the world are waiting to be taken to a mysterious place that promises a better life. Some find the wait intolerable, desperate to leave and to explore the imagined possibilities on the other side. For others, the house offers a momentary respite from a troubled past and the difficult migrant life that awaits them in the future.

  • Without Consent

    “Without Consent” weaves a young woman’s personal account of forced adoption in Australia in the late 1960s. It recounts the legal climate that outcast young unmarried women who were pregnant during these years, the systemized abuse they endured in the name of God as well as the stories they hid.

  • 8401

    8401 is a moving-image and light landscape painting depicting a multi-layered, fragmented view of Villa Grimaldi in Santiago, Chile. Now a memorial park, Villa Grimaldi was a clandestine detention, torture and extermination centre during the Pinochet regime (1973-90). The image is built of hundreds of images extracted from five years of Google Street Views of the address and site, Avenida José Arrieta 8401.The sound is composed of fifteen audio loops of ambient sound and voice, deconstructed from a field recording gathered during a 2016 tour of the facility. A multitude of shifting perspectives give the impression both of deprioritizing time…

  • More Love. Less Prepackaged Bullshit.

    Set to the soul beat of Assata Shakur, a trio of black transwoman, brown transmasc genderqueer person and a white queer cis man resist dystopia with a sweet bowl full of joy, intimacy and love.

  • Ghost Copy

    A flock of birds; an airplane; a soldier turns his head; a child sprints towards the camera. These four settings, and the many that follow in the next two-and-a-half minutes, each last a split second, a handful frames – just long enough fo rmoving forms to become perceptible as shapes, gestures, artefacts. in-between is darkness. The form of Ghost Copy is owed to a double work with the archive: The moving images are taken from Austrian amateur films from 1935 to 1965. The staccato of clips and black frames is sythesised with the compositional principle of the 8 mm film…

  • Fin, La

    “La Fin” is a first film. It’s an exercise in style where metaphors are mixed freely to create, from a banal morning scene, a world increasingly surreal and unusual. By a wink of an eye, the film then liberates itself from its own symbolic collar to envisage, if not going beyond the limits set by and for the individual, at least a sense of humour that exorcises us from the traditional themes of alienation in our modern world.

  • RUPTURE

    By and large humans tend to create narratives about themselves, then often make great effort to conform reality to that narrative. This was not a threat to planetary survival 10,000 years ago when we were scattered in small bands worshipping local deities and relying on nearby gathered foodstuffs with only stone tools. It is quite an other thing when we are packed into mega-cities with nuclear weapons and ambiguous connectivities, along with relationships imbued in instruments that far exceed an individual’s capacity to fully comprehend or to realibly navigate our various systems. Sequence in order of appearance: Secret Bunker –…