Genres: short

  • Lily Eng’s First Thursday

    Lily Eng was a progenitor of the first wave of Toronto performance art and experimental dance in the early 1970s. she was mostly Female Warrior rather than Tutu’d Princess—using deeply exploratory movement techniques, plus hardcore performance art concepts. Eng was cutting edge, defying ethnic and anti-feminist prejudices. Surfing on a wave of acclaim, she was one of few from the scene to establish an intercontinental reputation. The film’s title comes from Lily Eng’s First Thursday performance at the Art Gallery of Ontario, Canada, in 2016. She was there by invitation, but it was 39 years since the 1977 Documenta 6…

  • The Promise

    Set in an open field, the two men dance, jumping from reality to dream, as they follow a path, a metaphor for structure in their pursuits, giving meaning to their struggles.

  • Watching the Detectives

    Immediately after the Boston Marathon bombing in April 2013, amateur detectives took to the internet chat rooms to try and find the culprits. Users on reddit, 4chan and other gathering spots poured over photographs uploaded to the sites, looking for any detail that might point to the guilt of potential suspects. Using texts and jpegs culled from these investigations, “Watching the Detectives” narrates the process of crowd-sourcing culpability. “Chris Kennedy’s latest offering is…a half-hour meta-doc about the online sleuthing surrounding the bombing of the Boston Marathon in 2013. Imagine ‘Patriot’s Day’ without Mark Wahlberg leading the charge. Instead, a steadfast…

  • The Films of David Rimmer

    Available for purchase in the CFMDC Shop: https://www.cfmdc.org/shop. This three-volume set brings together some of David Rimmer’s most seminal early works. Born in Vancouver, BC, Rimmer has been a pivotal figure in the city’s art scene since the early ’70s. Known for his experimentation with superimposition, looping and optical printing, Rimmer’s aesthetic reflects a “West Coast sensitivity to landscape, poetry and psychedelia” (Chris Kennedy). Volume One Square Inch Field -1968 / 13 min / 16mm / CLR / Sound Migration – 1969 / 11 min / 16mm / CLR / Sound Landscape -1970 / 8 min /16mm / CLR /…

  • DataMine

    “DataMine” is a stop-motion indictment of surveillance society; laboriously animated by hand with light painting to create surreal imagery without the use of computer generated images. Society embraces an ever-increasing connection to technology, creating digital communities that distract us from our real world existence. As our lives exist more and more in the digital realm, they are catalogued and stored for future mining by corporations and governments. This activity of data mining raises many questions regarding the future of activism and creativity – that which makes us human. In the intricate world of “DataMine,” the oblivious masses are catalogued and…

  • I Want To Kill Myself

    Contemplating suicide: a biography.

  • Membrana Mortis (Dead Film)

    “Membrana Mortis” is a meta-film, a chaotic assemblage of re-photographed and chemically manipulated image fragments culled from a damaged roll of film that was nearly un-projectable. The films title suggests a two-fold intention – here process and existence pre-suppose one another, at once an elegy to a dead film and observance of new genesis. This film was commissioned by the Independent Filmmakers Cooperative of Ottawa with support from the Canada Council for the Arts for Origin 8, a program commemorating the 50th anniversary of the Super 8 format.

  • ABCAM

    “Richard Martin deconstructs the process of montage, exploring a sequence of a TV movie, revealing the central conventions of the genre and its raw, rhythmic and mesmerizing predictability”. – Les Rencontres Internationales Paris, 2016

  • South Lakewood North

    A personal landscape film of time and memory and a porch. A time-tunnel of moments and experiences.

  • Mount Misery

    Emotionally drained after learning of the death of her long estranged sister, an elderly woman spends the day lost somewhere between her past and present and her conscious and subconscious mind. In this state, she ponders the inevitabilities of life, death and the hereafter. “Mount Misery” won Best Film prize at the Black International Cinema, Berlin film festival, 2017.