Language: English

  • The Uphill Battle: The Cost of Raising a Champion

    Karate and the Olympics: Who Will Represent Canada in 2020? This documentary highlights the difficulties experienced in creating champions in Ontario. For the past 20 years athletes have been faced with hardships created by stringent rules, underfunding, and a complete lack of understanding from “higher-ups.” Today karate faces a real challenge: How do we make the transition from an amateur sport to a professionally organized industry with an environment for raising true champions? We attempt to cover this issue in depth with interviews with people who are directly involved. “The Uphill Battle” is required viewing for anyone who believes karate…

  • Nachlass

    “Nachlass” is the German word for inheritance. It is also the word for posthumously published works. Most commonly, it is used to describe all the things, both the valuables and the junk, left behind in an apartment after its inhabitant has died. In Nachlass the everyday objects of a Ukrainian immigrant to Canada function as placeholders for all of the information that has gone missing between languages and cultures in the process of immigration. However, although this story at the turn of the century is one, which must operate beyond the realm of language, its continuation today in the Germany…

  • The House

    For one curler, it’s not just a regular night at the local curling rink. Can she face her fears and find the strength to throw her final rock?

  • UUFO

    “UUFO” consists of six short chapters/stories. Each chapter describes a memory. The film deals with conflicting interpretations of China from the 1960s onwards, contrasting past generations’ stories with my own generation’s interpretations. UUFO stands for Universal Unidentified Flying Object.

  • Landscape With Shipwreck: First Person Cinema and the Films of Philip Hoffman

    Edited by Karyn Sandlos and Mike Hoolboom Philip Hoffman has been making personal documentary films for over twenty years. He has devoted his life to examining the narrow aperture each of us uses to bring our own experience into focus. As many of the writers in this volume will attest, telling personal stories is dangerous work. “Landscape with Shipwreck” is an untidy stew of gravediggers and critics, architects and builders. In their conversion of pictures into words, each has used the history of their own naming as compass and guide. These photographs and scripts speak alongside the written word, not…

  • Outcognito

    Fear meets gay desire against an audio background of sitcom homophobia and jarring personal testimonies. Textured layers of figures, rotoscoped and real, move in and out of difficult scenarios, resolving into knowing acceptance.

  • The Shiva Callers

    When a closeted woman’s girlfriend shows up unexpectedly to her grandfather’s shiva, she must do anything in her power to stop her family from finding out.

  • Royal Jelly

    The film begins in abstraction, then we are greeted by a drag queen that we follow down the rabbit hole to meet the menagerie of people that have become her community.

  • Reinventing the Unconventional: The Hearn Generating Station

    Nestled next to downtown Toronto looms the abandoned Hearn Generating Station. Thirty years after it was decommissioned, art director Jorn Weisbrodt envisioned an entire arts festival, Luminato, taking place in the Hearn. We hear about the challenges of reinventing such an unconventional space, from politics to the will of the Toronto people.

  • Vertical Lines

    Dave and Andrew reach a new level of closeness in their relationship when they share their personal experiences with self-harm. Best Screenplay, Future of Film Showcase (Toronto, ON), 2019