Film Categories: Anthropocene

  • The Evening News

    At first glance The Evening News is a straightforward nature film about what some animals get up to in the evening in a remote valley in southwestern Montana. Upon closer watching and listening, the film reveals complex and changing relationships between image and sound, and between language and our senses, that prod us to rethink our relationship to the earth and the creatures with whom we share it as a home. With its surprise ending, The Evening News challenges those habits of mind and perception that keep us from perceiving, and loving, the natural world—and cinema—for what it is. 100…

  • AfterMath

    AfterMath describes a time when there was a wide spread belief of some grand global plan when in reality there was no plan of any kind, only competing interests constantly jockeying for a dominate position. Sequences in order of appearance: Soviet computer scientist just prior to the dissolution of the USSR – Another Soviet computer scientist just prior to the dissolution of the USSR – Semi-Trailer Truck with Trans Mountain gas line pipes resting at a Travel Center in BC – The Poplar River coal fired electrical power plant during a period of record rainfall in Saskatchewan – Abandoned car…

  • Peace

    Peace, takes its starting point from a super 8 found footage film material, and is a collaboration between me and Lisa Marr. I asked Lisa to read the word peace in 18 different languages; English, Spanish, French, German, Italian, Dutch, Swedish, Russian, Polish, Hungarian, Greek, Turkish, Arabic, Hebrew, Persian, Hindi, Urdu. Sound/Voice: Lisa Marr

  • Cha ni chinu chi’in ñu’un / Construida de tierra / Built of Earth

    Cha ni chinu chi’in ñu’un / Construida de tierra / Built of Earth is an experimental documentary project consisting of a short film, a publication, and a collaborative installation that explores the immense and ancient family home at the centre of Jamiltepec, Oaxaca, Mexico. The cavernous adobe house is in the process of being restored after a devastating earthquake that saw a portion of its roof collapse in February 2018. The short film follows the restoration process, with its focus on traditional building materials and techniques, creative reuse, and local artisanal production. In doing so, it explores the origins of…

  • Marrow of my Bones

    Marrow of my Bones is a short experimental film that has been created through a mixture of digital special effects, compositing, frame by frame animation, and 16mm hand processed film. Through material-based exploration, this film plays with the concept of post-humanism via the return to nature and the body in a tactile and gritty manner. The score is an electroacoustic soundscape, a playful mixture of voice, analog synthesizers, and field recordings of foraged sounds such as insects, wind, and fire. These sounds were then processed through hardware effects such as low-pass filters, reverb & delay. The soundscape is a mixture…

  • Water Fields

    Water Fields is a rhythmic audiovisual composition, taking place in California’s dry landscape.

  • Tracks I-III

    Inspired by phantom rides—films from the late 19th century shot from the front of moving trains—“Tracks I-III” follows old and new technological traces that have shaped movement and representation. Historical landscapes once captured along railway lines are now reimagined through a carefully fragmented scenery, where motion splits, diverges, and advances in all possible directions. Truttmann’s playful exploration of spatial and temporal dislocations is grounded in a specific location and its history: a section of the “Ischlerbahn,” one of Austria’s first major long-distance rail lines, which was closed in 1957 despite strong protests from all segments of the population. Originally a…

  • Critters Chorus, Cycle 1

    Whirring and flashing in the night sky. Wild foliage on a moist forest floor, rapidly passing by. Nervous encounters at a redwood tree, gurgling chatter with turkeys at dusk. Casually coiffed horses, unpredictable flying objects and flapping rotors. Speckled skin scrabbles, covered in lush ferns. Swirling fog, dripping haze, old man’s beard, light – diffracted. Sassy badgers, strings and figures. Critters Chorus, Cycle 1 is the first part of an ongoing project, developed while delving into unfamiliar habitats. Lead by questioning the so-called “species problem”, Truttmann investigates the (im)possibilities of taxonomic categorization of living organisms from an artistic point of…

  • Flowers #3 (Kissed by the sun)

    These motion picture photograms were initiated through a five hour plunge into the darkroom; remembering the Galician celebration of flowers on the road in Baiona, near Vigo in 2019, here too we made a floral carpet of photograms. –P.Hoffman A Procession of herbs “emerge in all their structures, colors and epidermis. The motion picture itself becomes a plant which delicately stretches petioles and petals.” – Séance #3-Sentir Comme une Plante, Muséum National d’Histoire naturelle, Paris.

  • Passengers

    In 2024 I decided to visit some places I had been to before, places near where I am in the present and places I’ve never been to in the past. As I travelled from here to there, filming this and that I was reminded once again that nothing stands still and nothing stays the same. One of the things that I always wondered about was the intention of the occupied places I would see and what determined the way in which they were expressed. Sometimes it seemed clear while at other times it didn’t appear clear at all. I was…