Film Categories: body

  • premièrement comme tragédie

    With a friend we play a game, negotiating sex and risk but providing only evasive deflection and questions. My friend and I negotiate with each other, I to him in French and him to me in English. We fuck. The scene plays again, simultaneously but we play the role of the other person. Him to me in French and me to him in English. We switch roles. The negotiation scene and subsequent sex act are transcribed and we learn each other’s part and switch roles. The two tapes are then layered onto each other so both scenes play out simultaneously.…

  • These Conversations But With People We’re Hot For

    Documentation of/commentary on endurance performance in a self-made public glory hole outside Buddies in Bad Times theater.

  • whirlwind romance

    Trying to workshop a modernist camera set-up experiment while being distracted by my assistant.

  • Cross Examination

    A short film by Lori Hiris about the Clarence A. Thomas-Anita F. Hill hearings. The camera remains fixed on the eyes of a black woman who occasionally sheds tears while portions of testimony from the hearings are heard. A statement about feminism and race accompanies the closing titles.

  • Queer Camp Trilogy

    The Queer Camp Trilogy is a series of experimental films exploring the hidden dimensions of queer Japanese American wartime history. This trilogy, made up of Looking For Jiro (2011), Warning Shot (2016), and On the Line (2018), was inspired by first-generation Japanese Americans who were incarcerated by the US government during World War II. These subjects left subtle yet discernible traces of same-sex intimacy or gender nonconformity in the archive, despite the enormous pressure put upon Japanese Americans to accept their imprisonment quietly, prove their patriotic loyalty, and smile for Ansel Adams during their unlawful imprisonment. I approached their enigmatic…

  • Button OUT!

    Button OUT! is a lively animated personal homage to the filmmakers own history of protest and the wider story of LGBTQ2S+ experiences contained in the collection of over 1200 buttons housed at The ArQuives: Canada’s LGBTQ2+ Archives in Toronto. Originally part of commissioning program: “Now and Then” — a video-art exhibition developed by the RT Collective in collaboration with the Canadian Lesbian and Gay Archives (CLGA), Myseum of Toronto and the Gladstone Hotel. **Programmer’s Choice Best Short Film, Fairy Tales Queer Film Festival, 2020**

  • Misadventures of Pussy Boy Trilogy

    “Misadventures of Pussy Boy” is trilogy of short videos subtitled “First Love”, “Sick” and “First Period”, each video’s running time is approximately 6 minutes, all videos are animated in a fashion that is very much “do-it-yourself” aesthetic, as told from the point of view of a transgendered youth in rural Cape Breton. Each video was animated by hand, the backgrounds were created like theatre back drops, with the characters hand painted and cut out, performing each scene in front of the matching background for the scene. Camera work involved shooting each shot for 3-5 seconds and then manipulating the characters…

  • First Love

    “First Love” is the first video in the “Misadventures of Pussy Boy” trilogy, made in 2002, our outcast 2Spirit youth Alick is seduced by femme Lesbian siren Kay with token resistance. Kay is also an outcast because of her Metis status, this shared outsider status draws them together in order to survive the tyranny of high school bullies against their queer romantic attraction.

  • Sick

    “Sick” is the second video in the “Misadventures of Pussy Boy” trans trilogy, produced in 2003. Alick is verbally and physically queer bashed at school, Kay shares with our anti-hero the power of reclaiming hurtful words like “sick”. Our protagonists find safety, comfort and acceptance in each other’s arms.

  • First Period

    “First Period”, the third video in the “Misadventures of Pussy Boy” trilogy, the title is a double entendre for the first period of school and Alick’s first menstrual cycle, a shocking event that sends our intersexed youth into an emotional tailspin. Alick is worried about how Kay will react, will she have anything to do with this “?”. Their burgeoning secret relationship is threatened by Kay’s friendship with Ray, the high school bad boy. Alick also relates how he acquired the name “pussy boy”. Alick learns his lessons well from his first love Kay and turns a bully’s taunt into…