Film Categories: body

  • Island Story

    “I know nothing about the filmmaker, but with a short film as odd and strangely poignant as this one, the mystery makes it all the better. The blindingly and like a Martian horizon, the sun plays with the viewer’s stability. A narrator gives the account of a strange tale of a couple on a transformative journey into a world of paradise with no language. Animalistic gesticulations and instinctive expression emanate from the body until both of them grow apart and then into other versions of themselves, never to be the same again. A grainy vintage-like feel permeates the alien world…

  • Night Garden

    This personal short film uses a series of telephone conversations with the filmmaker’s mother as she tries to reconcile facing cancer for a fourth time. Low-fi video filmed at night captures her mothers bond to her home, shaping the tension and isolation of living life with a terminal illness. Nocturnal lush garden imagery also evokes private reflection, and in one final moment, proposes a provocative question about time.

  • God Straightens Legs

    Filmmaker Joële Walinga documents a moment of faith and waiting in the life of her Christian mother, a French-Canadian living in the Bible Belt who has opted to forgo cancer treatment.

  • The Ritual of the Sex Magick Warriors

    The Sex Magick Warriors are organizing, they reveal themselves to the city and risk it all to carry out an obscure objective. The colors pink and teal are the embodiment of Magick, Art and Sexuality and their use by the warriors -through empathy, telepathy and tactile care- spills the tea on their means for survival in these harsh urban environments. The ritual exposes the hardships of this army of lovers and reveals their sensual strategy for self preservation.

  • The Quoddy Fold

    “The Quoddy Fold” is an intimate interaction between a woman and a derelict coastal house. In this one-hour film Phillips dismantles and studies the movement from wood to dust, damp paper to mold, and ponders the house folding back into the land and sea. Phillips’ performance constantly seeks evidence of dissolving boundaries, thingness, history and intersubjectivity of space, place and species. Through the poetics of the ruin “The Quoddy Fold” is an interrogation of dwelling and landscape giving space to entertain the ecological, cultural and societal anxieties surrounding impermanence.

  • The Dandelion Club

    A gang of queer kids stylishly loiter about town. Pollinating. A collective resistance that collects at the margins of society and develops even on its fringes. No patch of concrete too solid to bloom through. An existence as a pest. A nuisance. And a fabulous one at that. Negotiating identity as: weed or flower?

  • Two Questions

    Two questions to help prevent sexual assault.

  • TAKE

    TAKE (te reo Maori: issue, promise, challenge) weaves mana wahine (female knowledge), dance and archival materials to retell the story of the removal of the ancestral Maori meetinghouse, Hinemihi o te Ao Tawhito, from Aotearoa, New Zealand to England in 1892. It is a call to return Hinemihi, embodied by Australian born Maori dancer and performance artist, Victoria Hunt. Set in the liminal spaces between history and emotion TAKE unfolds a story of origins, of traumatic events and colonial violence.

  • LUCA (m/f/x)

    Society distinguishes between two sexes: male and female. In Germany there is a new law for a new legal gender “divers”. „Divers“ refers to a gender spectrum between male, female and beyond. “I feel my own sex very changeable, it never feels like I am a man or a woman. But only a body to which belongs a spirit and a mind that creates“. This is how Luca describes themself and unites alleged characteristics of both classical sexes in his appearance. Although Luca has experienced antipathy and even physical violence, because of appearance, Luca would never stop being themself.

  • ghosts

    Ghosts is an experimental video that uses illustration and digitized 8mm film to explore concepts of childhood, sexuality, chrononormativity, indoctrination, and (metaphorical) death. The video disrupts the boundaries of past/present/future, birth/life/death, and humans/ghosts/monsters and encourages a dynamic engagement with such spaces. Ghosts is based on the novel, The Chrysalids by John Wyndham, that many children in Canada read in school. The novel centres on a post-apocalyptic future where people, animals and other living forms that present physical differences are ousted to ‘the fringes’ by a strict Christian society. Within that society, a group of children develops a telepathic ability, a…