Film Categories: Feminism

  • Concrete Shape

    To face your fear, you must let it enter your life as a Concrete Shape. An onsite video performance by Jesi Jordan created at the Diego Rivera Anahuacalli Museum in Mexico City. This film is made using hand made special effects and biodegradable materials such as Oaxacan clay, lava rocks, chicken eggs, cactus husks, and water.

  • Whispers Mary

    As Venla documents plants in solitude, she slips deep into the fantastical world she observes and begins to question her own reality. Whispers Mary is a Canada Council for the Arts-funded short experimental digital/analog film.

  • Determinations

    1988 & 2023 4K revision (Revision sponsored by Telefilm Canada Reignite program (for historical valuable Canadian films and to archive such films) which allowed me to transfer my 1988 16mm film to 4k video. A post-punk gonzo doco from the 1980’s restored for the digital realm. The Squamish Five story — a significant historical Canadian recollection, a refreshment of memory in a time of ever increasing environmental suicidal somnambulism & social, political dementia. The Reagan era (1981 – 1989) in the USA marked a time of heightened tensions between the United States and the Soviet Union, with the deployment of…

  • Currents / Perpendicolare Avanti

    Currents / Perpendicolare Avanti is a camera-less, hand-made, 16mm film collage, based on the artist’s autobiographical experience as an immigrant. In three movements, the film explores the dynamics of inhabiting the in-between space of moving between multiple countries and their temporalities, through visual and sound abstraction, interlacing and recycling pre-existing film materials and, using fragments from anonymous orphan films. Utilizing these so-called scraps, Currents is a film of extensive remediation, treated by hand through the use of the emulsion lifting technique, thereby re-imagining, re-constructing, and de-constructing the liminality of immigrant life. The re-writing of the self in Currents is produced…

  • Skyscraper Film

    Can I use the film strip structure as an architectural element? Is it possible to use the celluloid from the film as a cement? Can these skyscrapers be turned into something else? Can solid lines blend into sensual, natural curves? Can I melt skyscrapers? Skyscraper Film was created to try to give a visual answer to these questions, arising from the artist’s relation to urban maps of various locations and their respective skylines, populated by imposing skyscrapers and reinforced concrete panoramas: Quebec, Kingston (Canada), Maryland, Pittsburgh, Baltimore (USA) etc. Cities are presented to us as an abstract handmade camera-less collage,…

  • Negative / Positive Film

    Negative / Positive Film is a hand-made, camera-less collage film composed of layers of erotic 16mm films from the 1920s, 1940s, and 1970s, intermingled with nature documentaries and layers of organic materials. This visual abstraction merges together both positive black-and-white film and its negative black-and-white counterpart – on the same film base. This allows the film to exist in two versions, one positive and, the other negative. The film is an abstract remediation of female bodies dislodged from their original erotic context and ripped away from their male co-protagonists. The man is removed from the picture, while the female body…

  • Self-Portrait in Hell

    Self-Portrait in Hell is a hybrid film that combines analog and digital film manipulation techniques. Multiple layers of 8mm films and disparate fragments are amalgamated to create a self-portrait of the director. A singular self-portrait, since ironically the subject of the film is not the director but the image found in abandoned film archives, the image of another, unknown woman. The first layer is from a 1970s 8mm home movie titled Woman Dancing with Dog and was found in an antique shop. The second layer is an 8mm film belonging to an unknown archive, which the artist buried for a…

  • Out of Sink

    Spectres of the kitchen return.

  • Feet in Water, Head on Fire

    Along the San Andreas fault line in Southern California, Indigenous palm trees and date palms imported from West Asia flourish. The people who tend to them reflect a landscape of frictions and affections shaped over generations by agriculture, luxury real estate, and border politics. Like the infinity storytelling of The 1001 Nights, stories fold into dreams and back into stories, a constellation of voices settle over mountains and into the earth. Intertwining color 16mm with textural black and white film hand processed with the dates leftover from harvest and plants native to the valley Feet in Water, Head on Fire…

  • Kiri and The Girl

    Based on the experiences of Tlingit artist Kiri Geen as she reconnected and reclaimed her Indigenous heritage after her adoption, “Kiri and The Girl” follows young Kiri as she navigates losing her mother and is guided to becoming her true self.