Film Categories: Feminism

  • A Thousand Little Trees of Blood

    Stella and Guilio are on one of their many, stressful dates, when a small catalyst creates a huge issue.

  • Peace

    Peace, takes its starting point from a super 8 found footage film material, and is a collaboration between me and Lisa Marr. I asked Lisa to read the word peace in 18 different languages; English, Spanish, French, German, Italian, Dutch, Swedish, Russian, Polish, Hungarian, Greek, Turkish, Arabic, Hebrew, Persian, Hindi, Urdu. Sound/Voice: Lisa Marr

  • Entre la langue et l’océan

    A psycho-sexual poetic politico historico and reflective film document about the Canadian identity and the failed revolution of 1837 – 1838. To understand the disease’s origins is not equivalent to finding an effective therapy, but it is undoubtedly a crucial prerequisite. Entre la Langue et L’Océan. Surréaliste, radical, esthètiquement riche et techniquement ambitieux, ceci est un film qui résiste toute classification. A man tries to invent a liberated state and ends up in a penal colony. After awhile he hesitates to remember the cause of his incarceration. He only remembers what he left behind not what he was hoping to…

  • Mishaps in Spacetime

    Doubt creeps in as Cosmo, a space traveller, addresses his gender identity. In need of clarity and change, he wants to risk crossing the Butterfly Nebula. His spaceship, on the other hand, has a personality of her own. Cosmo will need to negotiate change with a certain loss of control. Screened at the 2025 IndieLisboa International Film Festival and 2025 XPOSED Queer Film Festival Berlin.

  • Sex is Sex

    Sex is Sex is a new collaborative video series between Vivek Shraya and Christopher Sherman that playfully challenges assumptions about sexual roles and preferences based on appearance and gender.

  • through the bushes and the trees, you’ll find me

    “through the bushes and the trees, you’ll find me” intertwines the personal and political histories of Hanlan’s Point Beach, the site of Canada’s first pride gathering in the early 1970s. A hole punch serves as a symbolic peephole, reflecting the cruising areas on the beach that invite both spectatorship and participation. By situating the tender moments of queer affection amidst the vast body of water surrounding the Toronto islands, the film celebrates and interrogates the histories and spaces of queer love and resistance. This work was made by hole punching frame by frame using a cricut machine, then manually taping…

  • longer than that, she said

    A meditation on anticipatory loss, this film examines the artists relationship with grief and attempts to ground herself. This film was hand processed in cilantro, mint and tansy at the Film Farm Residency hosted by Phillip Hoffman. Dyed in turmeric and walnut and utilizing freezing film decay techniques.

  • Sister Mother Lover Child

    A house of women adjusts to life in the aftermath of an event unnamed.

  • Characters

    Hú Zhǎng Zū writes ancient Chinese poems with water on the ground in Fuxing Park, Shanghai. After a few minutes, the characters dry out and disappear. She comes to the park almost everyday and practices her handwriting with her friends and colleagues. Together they have lively discussions about the strokes and shapes – both amongst each other and with the many spectators. Hú Zhǎng Zū is the only woman within the bustling crowd of men, and due to her calligraphy skills she is respected and highly admired. I come back to see her often, in order to learn from her…

  • Landmarks of Memory

    A tattoo ritual and hookah session memorializes a pre-war flower shop. After seeing its storefront in archival footage of the Lebanese Civil War, a first-generation daughter seeks information and connection to place. Scenes of 1976 Beirut are paired with today’s developed landscape, while roses are etched and coconut coals burn in a snowy diasporic setting.