Film Categories: Geography

  • Landing Sites

    There are places that we seek, and there are places that find us. One can never know for sure which comes first; the seeking or the finding. Often the unexpected moment occurs, the unforeseen discovery. Landing Sites: Truck on a house – Car drifting on a flooded plain – Signs flying over a lake – A super storm engulfs a building – Ghost train – Lightening strikes a plywood structure – Rail yard secured by a fire fighter – Electrical discharge in central city – Outskirts of prairie dog town. Landing Sites in order of appearance: House on a truck…

  • Prairie Grizzly’s Peneplain

    “Prairie Grizzly’s Peneplain” is a meditation on various natural and manufactured landscapes in southern Saskatchewan. This region is part of an ancient Precambrian seabed rebounding from the last Ice Age which once had a dynamic range of wildlife, plants, and wetlands supporting various ancient cultures that flourished here for millennia. Up until the late 1800‘s the Prairie Grizzly thrived on the Canadian Prairies. The bears that managed to migrate further west to the Rocky Mountains faced a difficult transition, although they have managed to survive in their new homes. Along with the plains buffalo, the have become a presence in…

  • Mach Stem

    Part one in a series, Mach Stem is an essay about skincare, depression, memory loss, and the atomic bomb. Formulated from a discarded master’s thesis film, Mach Stem records the shadow of a long depression and the process of convalescence. Exploring sites of research, memory, and legacy, the film travels between continents to piece together one’s own identity that was previously lost at sea.

  • Xam

    Xam is a sci-fi exploration on the future of surveillance and body hacking. While in the London subway, an unsuspecting man opens a strange text, rendering him unconscious and dragging him through a wormhole. He awakes, lost, on the train tracks in Kiev, Ukraine, unable to communicate with friends or family. With the help of the hacker community in Kiev, and then Paris, the man harnesses alternative virtual transmissions in an attempt to find his way home. Xam is told through an intimate, first-person frame and video collage to emphasize the increasing integration of human and technology. The story is…

  • Congress

    Mediated under flight and wing, possible collective memories are represented through a prism of vast tundra landscapes, a wrecked 19th century paddleboat, and ancient lichen fields. Time, place and history become nostalgic remnants from the Yukon Territory.

  • Qualcosa di Rosso, Qualcosa di Blu

    Qualcosa di Rosso, Qualcosa di Blu combines layers of 16mm and 35mm found footage films to create a lyrical journey that accompanies the viewer into the depths of a dream of another life.

  • Green and Red, But Terracotta Red

    We are looking through the mirror of time, into distorted memories, while several narrators tell us about the most vivid colours in their dreams. The film consists of a collage of 16mm found footage that I further processed and decayed using a gentle combination of bleaching techniques. This process allowed me to partially lift the emulsion from the film base and re-shift it and re-position it by hand. Faces are warped, homes collapse, memories fade and blur.

  • Fevered

    ‘Fevered’ is a meditation on the heated drama enacted by lakes and rivers as winter unravels. Piecing together 16mm footage and sound recordings, Peters re-imagines the pulsing of waterways as a metaphorical rhizome swelling outward in a feverish response to global warming.

  • Dam’d

    Using 16mm film altered in part by algae and zebra mussels, ‘Dam’d’ illuminates parallel behaviours between human and invasive species and their impact on waterways. The mutation of film footage acts as a metaphor for the erosion and evolution of the aquatic ecosystems it records.

  • Shifting Baseline

    Motion picture film decomposes in a bath of toxic cyanobacteria collected from a shore where children are playing. A child’s piano improvisation plays over the bacterial impressions in memory of a fleeting moment. ‘Shifting Baseline’ combines ecological and filmic processes to capture and animate an environment that is rapidly slipping away.