Film Categories: Geography

  • The Places We Lived

    The Places We Lived uses a large family archive of Super8 and digital home movies from the mid-1970s to late 1990s to grapple with the hopes, dreams, and disappointments of two South American immigrants who moved to Montreal in the wake of the excitement and optimism generated by Expo ’67. This story focuses on the father, Jose (“Pepe”), whose life in Canada followed four hardscrabble decades in Chile. A story about childhood and fatherhood, aging, capitalism, and obsolescence, The Places We Lived opens up new questions about class, memory, diasporic narratives, and the complicated histories of migration and exile.

  • Focal point

    We live in a holographic world. It is a busy, busy place with much to do, with not enough time to do it. We also live in a world where a host of entities are vying for our attention. With so much competition to retain our gaze a clutter threshold is a very real hazard. I have always been sensitive to movement. There is either too much movement or too little movement, so I try to seek a balance, or at least make efforts to set aside moments where I can calm my overstimulated nervous system. I am partial to…

  • sway / pull

    Created during the COVID-19 pandemic when queer spaces were disappearing across Toronto, sway / pull is a meditation on the erosion of Hanlan’s point beach in both literal and figurative senses. Hanlan’s Point Beach, located on the Toronto Islands, was the site of Toronto first gay pride celebrations in 1970s and remains a queer haven today. Additionally, the Toronto Islands have faced poor city planning that has led to a significant amount of erosion on the beach. This film plays with the concept of erosion by the physical pushing of sand to speak back to the literal erosion of the…

  • HK Uprising

    A tribute to the ongoing protests in Hong Kong that are taking place three decades after the Tiananmen Square uprising. Note: This film can be displayed as a multi-channel installation with May 35.

  • Another Europe

    An essay film rooted in experimental cinema and queer storytelling. A female narrator (fellow artist Kathi Hofer) provides the voice over for this film, making it a reflection on my life and my journey through Europe from 2019-2020. Associative spaces unfold. A train of thoughts. The boundaries between factual and memories become a blur. How much of my personal story can be read more globally? Visual portraits of Europe’s faraway places away from typical tourist hot spots provide the mise en scène for this film. Landscapes in transition, pictures of movement, visually resembling the long journeys I have undertaken using…

  • The Beautiful Room is Empty

    “Haddad’s The Beautiful Room is Empty explores the loaded memories of space through his aunt, Marie, (re)visiting her childhood home and recalling the abuse she endured there. […] What have the walls been listening to? What have they absorbed, retained, and released upon a return, a farewell?” – Sarah Sarofim, Canadian Art

  • Arrival 1, Arrival 2

    This experimental essay film springs from the final days of December 2020 when I moved from Chicago to Toronto. The film documents my move and then continues on alternate paths, weaving through the liminal spaces of borders, sickness, interpellation, and dreams. Content Note: This film contains extended discussions about fatphobia and disordered eating. Specifically, this film contains descriptions of food restriction, idealization of thinness, and intense emotional and physical pain after eating. After 11:41 there is no direct discussion of disordered eating. Flashing lights throughout. Loud noises throughout.

  • Tell Me about SunTea

    Tell Me about SunTea (Super 8, Digital Video, Colour, Stereo Sound, 6 minutes and 47 seconds) Tell Me about SunTea builds a conversational and spatial ecosystem, weaving together the disparate spaces of the Toronto Islands and Covington, Texas. The film considers the life cycles of plants and animals, as discussed by the filmmaker’s Gram and as remembered by the filmmaker. Conversational obstacles and a failed interview attempt are re-imagined as off-road opportunities. The repeated voice over reveals changes in cadence and content that point to the fragile intimacy held in language and storytelling. “Considering different forms of mechanical and organic…

  • Isolated Gestures

    With Isolated Gestures I am primarily concerned with exploring the interplay of sunlight and shadows with weather as the narrative. The story for me is in how light contrasts the absence of light in shaping forms within a given frame of time and space. I generally gravitate towards places that reveal the many layers of time, stimulating reflections on all the different life forms that may have existed in a particular location where I have set up my camera and tripod. This is when I imagine worlds that have passed, worlds that are present, and worlds that are yet to…

  • A Tree Gets in the Way

    We are a determined species. We make plans and calculate in advance how to accomplish a goal. These calculations are not always completely accurate wherein something unanticipated can occur. On a warm spring day, I saw this house on a truck being moved to an empty lot. It looked like it would take maybe a half hour to position the house. That was until its progress was prevented by a tree in the corner of the lot. This delayed the operation until the tree could be removed.