Film Categories: Racism

Looking For Carmen

“In his most ravishing and heartbreaking work, Arriaga ventures again to his native Peru in search of a lost friend. Along the way he encounters the faces of those who speak about wounds that cannot heal—survivors recounting the deaths and disappearances of their beloveds during Peru’s civil war that pitted the communists of The Shining Path against the government, with both sides aligned against the people. “The dead have called us to find them,” remarks Lida Flores de Huaman, and Marcos follows her evocation, cutting memory trails into Peru that bring back the names of the disappeared. Using frames that…
Trans Lives Matter! Justice for Islan Nettles

A powerful and intensely moving document of a community vigil for Islan Nettles, a transgender Womyn of Colour, concerning her spirit and life. Because the personal is political. Because the brutal and increasing attacks on Trans Womyn of Color are outrageous and their victimization causes outrage. Because healing and action tighten our fists and boom our voices. Islan’s murder was a hate crime, she was only 21. Her vigil was held at Jackie Robinson Park in Harlem, steps away from where she was murdered. This endeavour captured the love and support that the community brought to sustain each other and…
Whatever Happened to Jackie Shane?

Toronto, 1963. Jackie Shane – a black, queer, soul-singing, flamboyant Nashville-born, Toronto-based musician – had a hit song on the charts. The song was a sensation, and with the lyrics “Tell her that I’m happy, tell her that’s I’m gay; tell her I wouldn’t have it any other way”, it was also an underground gay anthem. But before being able to fully enjoy the fruits of this success, Jackie suddenly disappeared. Uncovering this forgotten piece of Toronto queer music history, artists Hortie and Reynolds recreate Jackie’s story using original shadow puppets, overhead animation and stop motion techniques. Follow Jackie through…
Midnight at the Continental

Toronto, 1955. In the heart of Chinatown, a new bar opens: The Continental. It’s dark, grimy, and attracts an unusual clientele. Local tabloids scream in 20-point font: “Sapphos overflow Chinatown!” The bar becomes the meeting place for two of Toronto’s marginalized communities: Chinese-Canadian men and lesbians living “the life” full time. Recounting this forgotten piece of Toronto queer history, artists Hortie and Reynolds tell the story of Toronto’s first long-standing lesbian bar using original shadow puppets, overhead projector animation and archival images. Pull a stool up to the bar and watch lesbians and Chinese men stand side by side, battling…
Reinaldo’s Motifs

In 1927, Reinaldo Ferreira, a well-known journalist and writer who published under the pen name ‘Repórter X’, founded the cinema production company Repórter X Film, through which he directed four films that same year. Among them we find “O Táxi no. 9297” and “Rita ou Rito?…”, where homosexuality, transvestism and drug use feature explicitly in Portuguese cinema for the first time. “Reinaldo’s Motifs” is an audiovisual essay that focuses on a series of recurrent motifs in Reinaldo Ferreira’s cinematic work. A commissioned work by the Cinemateca Portuguesa, in which I tried to play around with these recurrences, in a manner…
Emergence

“Emergence” is a video installation created to counter the violence of blackface in its representation of Blackness. This piece re-asserts the beauty of Blackness and challenges the reductive nature of contemporary Canadian blackface through extreme close-ups of black faces in all their diversity. Shot in extreme slow motion and projected by two projectors at a large scale on two screens, the images appear to be stills at first, but reveal themselves over time to be moving. These parts of lips, noses, eyes, posit the face as a signifying landscape. Serene images contrast with others that depict faces and arms pressed…
Lionhood

A portrait of two teenaged hockey players which explores the intensity of adolescence – a time of unrestrained physicality and surging hormones, resulting in unchecked impulses and unseen emotions.
Embers In The Night: A New Folklore of War

Embers in the Night’ is a short dramatic narrative that features the tale of a young boy’s journey into the bitter world of violence and hate. Fuelled by an unexplained prejudice in a remote backwater village, the boy is forced to flee for his life.
我的女儿 DAUGHTER

DAUGHTER explores an immigrant mother’s pain and worry about her transgender daughter and examines the perspective of a mother who may not understand her daughter, but cares for her deeply. The film celebrates transgender resistance, gender non-normativity, and the strength of the immigrant family across language and cultural boundaries.
BLU In YOU

Walter Benjamin suggests that film is comparable to surgery, the instrument allowing the operator to penetrate the body of the subject while, paradoxically, maintaining his or her distance. This statement self-reflexively sets up the female spectator at the helm of the art-installation opening of Blu in You—an eloquent essayist film with visual conversations that dissects historical and contemporary representations of the black female body, sexuality and subjectivity. The female spectator (Melanie Smith), views the staged art installation conversations between visual arts curator (Andrea Fatona) and writer (Nalo Hopkinson). The conversations begin with a cultural history of violence, ethnographic display and…