Film Format: Super 8

  • 13 Eggs

    Over four years I collected footage to talk about my experience trying to make a baby. I managed to freeze 13 eggs. I stopped halfway through making this work because I failed and had to figure out how to make a film about failing in this commonly shared life goal. Grieving people who never were is harder than it seems.

  • Last One At The Party

    The history of self-portraits is rich and revealing. Last One At the Party is a hyper digital protest against the profusion of selfies now flooding our visual landscape rendering the exploration of self-portraits trite and banal. Originated on a garage sale super 8 camera and reprocessed to a pixelated-artifact level, a woman wears the proverbial lampshade on her head as the last guest at a party of one.

  • C’est à qui, cette ville?

    “C’est à qui, cette ville?” is a response to the 1984 film, “Ville, Quelle Ville?” This original super 8 film documented various places in Toronto’s east end and reflected upon a young woman’s life in the city. 38 years later, “C’est à qui, cette ville?” revisits many of the same locations and contemplates a more mature perspective on urban living. This film was shot on outdated super 8 stock which gives the image a patina of time passing. Musical score by Montreal-based artist and composer, Jackie Gallant.

  • Four seasons bouquet

    Nature and body at work over the course of a still yet disorderly year on a foreign land. “In that place, memory means something more than just something one looks back on, or something one feels from the past, it means something real for now that has made you.” – RT

  • on breathing

    Sound and visual essay showcasing the light, wind, movement, breath, and the strength of the Earth.

  • ATALAYA

    “Atalaya” means watchtower in Spanish. It’s also the name of the Chilean islands where, in 1998, debris was found from the boat belonging to the filmmaker’s seafaring father, Gerry Roufs, lost at sea. It’s also a key word of the book written by her mother, Michèle Cartier, which recounts the search she undertook to find him. ATALAYA is the filmmaker’s pilgrimage to Cape Horn, camera in hand, memories flowing through her mind; an essay on her reflections on that inescapable grief, on how memory is affected by the presence of absence, and on how life naturally follows its course. Short…

  • Homunculi

    Filmed sporadically and intuitively during the summer months of 2020 and 2021, Homunculi is a recontextualization of a personal archive of hand processed 16mm “home movies” and various cinematographic experiments. Reassembled, these once disparate images form a cinematic prism in which to view and confront the prevalent anxieties of an increasing uncertain future. Homunculi is a visual and sonic daydream, reaching beneath the facade of domestic and pastoral tranquility to reveal a lurking, inevitable force that promises to tear the world asunder.

  • Tell Me about SunTea

    Tell Me about SunTea (Super 8, Digital Video, Colour, Stereo Sound, 6 minutes and 47 seconds) Tell Me about SunTea builds a conversational and spatial ecosystem, weaving together the disparate spaces of the Toronto Islands and Covington, Texas. The film considers the life cycles of plants and animals, as discussed by the filmmaker’s Gram and as remembered by the filmmaker. Conversational obstacles and a failed interview attempt are re-imagined as off-road opportunities. The repeated voice over reveals changes in cadence and content that point to the fragile intimacy held in language and storytelling. “Considering different forms of mechanical and organic…

  • collapse

    a demonstration of falling techniques on super 8 colour stock

  • kauaʻi ʻōʻō

    Hawaii 1987, the Kauaʻi ʻōʻō sings its final serenade.