Genres: queer

  • longer than that, she said

    A meditation on anticipatory loss, this film examines the artists relationship with grief and attempts to ground herself. This film was hand processed in cilantro, mint and tansy at the Film Farm Residency hosted by Phillip Hoffman. Dyed in turmeric and walnut and utilizing freezing film decay techniques.

  • a tangled web drowning in honey

    a tangled web drowning in honey is an experiential and textural short film that invites viewers into the inner workings of a mind to ponder the ways in which we love and unlove ourselves.

  • back home

    back home follows filmmaker, Nisha Platzer’s pursuit to get to know her older brother, Josh, twenty years after he took his own life. As she connects with the friends who knew him best as a teen, a complex portrait emerges. Through intimate recollections re-imagined on Super8 and 16mm film, and lyrical images hand-processed with plants, seaweed, soil and ashes, ‘back home’ floats between memory and present time in a fragmented meditation on identity, grief and loss: illuminating the transformative power of healing in community.

  • Hide and Seek

    “Hide and Seek” is a daring exploration into wild, uncharted territory – lesbian adolescence in the 1960s. The film features Lou, a 12-year-old girl who daydreams in a tree house, tries not to watch a sex education film, and is horrified to discover that her best friend is taking an interest in earrings and boys. Interwoven with Lou’s story are the most hilarious, sometimes painful recollections of adult lesbians who try to figure out how they got from there to here. Completing the picture are clips from an astonishing array of old scientific and instructional films which blend seamlessly with…

  • OUT

    OUT, colour, QuickTime, Pro Res 422, stereo, 1 minute Two animated male figures are drawn together and pulled away until they fall into a pit of protesters. Then, a frightened look quickly disappears into the darkness. OUT is a one minute film that touches on the rising fear of being out during a global climate of growing hatred and pushback against LBGTQ rights and freedoms.

  • Landmarks of Memory

    A tattoo ritual and hookah session memorializes a pre-war flower shop. After seeing its storefront in archival footage of the Lebanese Civil War, a first-generation daughter seeks information and connection to place. Scenes of 1976 Beirut are paired with today’s developed landscape, while roses are etched and coconut coals burn in a snowy diasporic setting.

  • Both, Instrument & Sound

    Both, Instrument & Sound employs tension as an aesthetic strategy, to explore solidarity, collective struggle, and the transformation of these values under neoliberalism. The film follows the life of Tony over 3 years as he describes his process of political activism from the 1970s onwards, which cannot be disentangled from his friendships and his lovers. The film’s score – co-written with musicians, the film’s cast and crew – sonically explores different interpretations of tension—both in response to Tony’s narration and to the musicians’ existing approaches to tension as a musical, cinematic, scientific, and political experience. Everyone translates, performs and remixes…

  • En Memoria

    In a dystopian future, a mother struggles to finish making her daughter’s quinceañera dress.

  • Tether

    An unfulfilled family man is transported back to a time where he felt most alive, on the stage as a drag performer.

  • Don’t Take My Joy Away

    In the Shatila Palestinian camp in Lebanon, two friends, Omar and Omar, find moments of joy amid hardship until sudden violence forces them to confront loss and survival.