Genres: queer

  • Husbandry

    Mary Imrie (1918 – 1988) and Jean Wallbridge (1912 – 1979) operated their architecture firm—the first run by women in Canada—at Six Acres, the home they built for their work and life together overlooking the North Saskatchewan River in west Edmonton. When Mary Imrie passed away, she bequeathed the records of their remarkable architectural practice and adventurous life, along with their home, to the province of Alberta. With a title borrowed from a telegram in the collection, GLAD YOU CLOSER HOME / NEW WHITE WHISKER MARY is Cait McKinney and Hazel Meyer’s immersive exhibition that playfully imagines and speculates in…

  • Blood Like Water

    Shadi embarks on a secret adventure, and accidentally drags his family into a trap where they only have two choices; either collaborate with the Israeli occupation, or be shamed and humiliated by their own people.

  • Aunt Harriet

    Aunt Harriet is a meditative moving portrait exploring introspection, healing, and aging. Set against the backdrop of rural Ontario it deepens the memory of Black lives, bridging past and present – history and myth.

  • MixedUP

    Part testimonial/part confessional. What are the lines between the facts of who I am and the fiction of what I can become? Mixed↑ is a reclaimed book of genesis: a manifesto that collides the wildly diverse elements of being queer, mixed and different in a world socialized around the construction of race, gender and orientation. Mixed↑ follows Howard J Davis aka Haui in his feature film directing debut, as he combats the isolation of being BIPOC and LGTBQ+ and helps to normalize the existence of being “other”. Featuring Haui’s biological and found family including: actress/activist Tantoo Cardinal; stage and screen…

  • a decade

    a decade is an experimental film that fuses analog and digital techniques and reflects on the artist’s life through the 1980s.—a time of rebellion, discovery, and loss. Blending Super 8 and 16mm film, digital animation and personal reflection, the film drifts from the raw urgency of punk rock to the glittering pulse of gay discos. Bookended by the deaths of his two closest friends, it’s a haunting and poetic elegy to a transformative era, where identity and community thrived amidst the shadows.

  • Marked

    Marked is an experimental film that merges Super 8 and 16mm formats to examine the presence of queer intimacy. At its center are two shirtless men, locked in an embrace, dancing — a quiet yet radical act. Overlaid with hand-inked 16mm film, their bodies become both seen and obscured, highlighted and erased. Through this layered process, Marked reflects on how queer love is shaped, celebrated, and scarred by the society that surrounds it.

  • Never Sleep

    Muna is a timid nonbinary teenager with the ability to communicate with the spirit world through her dreams. Following the sudden death of their father Ibrahim, they chooses to stop sleeping to avoid having to confront his restless spirit. When Muna’s estranged aunt Naja re-enters their life, their collective grief meets the turbulent spirits of their ancestors, and the two family members must decide whether to remain comforted by avoidance or face their fear of emotional vulnerability head on. With Naja’s guidance, Muna manages to forge a path towards rewriting her understanding of memory, loss, legacy and familial responsibility

  • Homebelly

    “Homebelly” combines waking dreams with unsettling fragments of this and that. An icy soundscape is set to a live-action animated drama featuring a sleeping body and a persistant rock.

  • House of Pain

    “A bold and startling work filled with images at once beautiful and profoundly disturbing, the film is a hybrid of DeSade, Dali and Bataille, a nightmare that takes place somewhere between sleep and death. A profound testament of the body at its limits, whose fantastical vantages lend the body a rare grace… Leave the inner child at home.” – Bill Evans, Metro Cinema “The Canadian avant-garde has found its Salo, and its name is ‘House of Pain.’ Prolific, hugely talented Toronto/Vancouver/Toronto experimental filmmaker Mike Hoolboom’s new feature must be the most transgressive Canadian film ever made. Shot in black-and-white and…

  • How the Hell Are You?

    Based on a correspondence with a gay friend in the sixties, this collage film is a portrait of a person and a decade. Against a montage of found images, the narrator comments on life, love, and the American Dream.